The Company of Wastrels

 

 

 

 

The Revenant, 2014, steel-plate etching

 

The Rider, 2014, copper-plate etching

 

Cockerel, 2014, copper-plate etching

 

Birch, 2014, copper-plate etching

 

Cockerel, 2014, copper-plate etching

 

Cockerel, 2014, steel-plate etching

 

Cockerel, 2014, copper-plate etching

 

Cockerel, 2014, copper-plate etching

 

Birch, 2014, steel-plate etching

 

Cockerel, 2014, copper-plate etching

 

 

 

Etching, aquatint, sugarlift, screenprint, letterpress on archival paper, 2012

Size: 56 cm x 38 cm (each page)

“Oblivion” Folio Pages 9 & 10

Exhibition, Art@Golden Square, Soho, London in October 2012

 

“Nevermore: Artist Books & Multiples” Exhibition 2008

Details of “Nevermore” group folio

Cultural Illumination Program, Art & Heritage Collection, University of Adelaide

 

“Carnevale” Linocut, 2012

15×10 cm

Exhibited in Helpmann Academy’s “Maestros & Apprentices” Fundraiser Exhibition 2012,

in the “Carnevale” group folio,

Printmaking Department,

Adelaide College of the Arts

Copper plate, etching, aquatint, sugarlift, 2012

Plate size: 30×20 cm

 

Exhibited in “Heavy Metal” at Nexus Multicultural Arts Centre Gallery,

South Australian Living Artists’ Festival 2012.

Other artists in Heavy Metal:

Suzie Lockery, Lorelei Medcalf, Joshua Searson.

 

5000-1530567-1-2.pdf

Catalogue essay by John Neylon

Photographs by Alice Healy

Catalogue essay by John Neylon

Photographs by Alice Healy

Nexus Multicultural Arts Centre, Adelaide

“Heavy Metal” SALA 2012 Exhibition

Suzie Lockery, Lorelei Medcalf, Joshua Searson & Mei Sheong Wong

August 2 – 24

Art @ Golden Square, Soho, London

Exhibition of “Oblivion: de Quoi?” by Mei Sheong Wong

& “Dogs” by Anne Brenner

4th – 29th October 2012

Etching, aquatint, sugarlift and watercolour, 2012.

In the “Vintage” Exhibition by Bittondi Printmakers Association,

Adelaide Fringe 2012, at Red Poles Gallery, McLaren Vale, South Australia.